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“That leaves the strongest impressions to be made by
Laura Jones Macknin who gleams with villainy…"
King
Lear as reviewed in New City
“Laura Jones Macknin is sleekly malevolent as Queen
Tamora…”
Titus Andronicus as reviewed in
Windy City
Times
“Laura Jones Macknin incarnates treachery…”
Titus
Andronicus as reviewed in The Chicago Reader
“Laura Jones Macknin creates a Lady Macbeth fully
capable of Satan worship”
Macbeth as reviewed in
New
City
“a tantalizingly cunning Laura Jones Macknin as Lady
Macbeth”
Macbeth as reviewed in
The Chicago
Sun-Times
“Laura Jones Macknin turns in a bravura performance
as Iago’s long suffering wife Emilia”
Othello as reviewed in
Daily Herald
“Elegant Laura Jones Macknin is exceptional as
Brutus’ fervent and profoundly fearful wife Portia”
Julius Caesar as reviewed in
The Chicago Sun-Times
“Equally ardent as Olivia, Laura Macknin opens the
lady up like a rose…”
Twelfth Night as reviewed in
The Chicago Tribune
“the scenes between the French Princess and her
lady-in-waiting (Laura Jones Macknin) are completely
enchanting and exquisitely acted”
Henry V as
reviewed in The Chicago Sun-Times
“But the best work of the night comes from Macknin,
whose cameo captures her sad character’s fear and
deadened sense of alienation.”
Calamity Meat as
reviewed in The Chicago Tribune
“What works wonderfully here are the side-by-side
performances of Krishna Sallman and Laura Jones
Macknin… Their scenes together are the true heart of
the play..."
The Vagabond as reviewed in
The Chicago
Sun-Times
“a nicely flamboyant performance by Laura Jones
Macknin [as] the talkative, self-deluded woman whose
reputation is in jeopardy…”
The Boarding House as
reviewed in The Chicago Sun-Times
“Laura Jones Macknin…lends human dimension to this
legendary figure while retaining a tough-edged
grace”
The Roaring Girl as reviewed in
The Chicago
Sun-Times
“…Macknin’s title character, played with inner
strength and a petite yet confident physicality…”
The Roaring Girl as reviewed in
The Shakespeare
Bulletin
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